Showing posts with label belly dance. Show all posts
Showing posts with label belly dance. Show all posts

Thursday, April 2, 2020

What is a Zeffah?



You may have heard the name, or perhaps even seen a recreation at a folkloric or cultural event, but what is a zeffah?

While there are multiple kinds of zeffahs, but the one most commonly referred to is the zeffat al 'Arush, or wedding procession of the bride. It is a tradition in Egypt dating back many years, in which a wedding party is escorted though the streets by a musical procession of drummers, bagpipes, horns and other instruments. Sometimes even car horns! In more recent years, the procession frequently happens indoors, such as through a hotel. To mark the occasion, a traditional rhythm, the iqa zeffah, is normally played.

And guess who commonly leads the procession? You guessed it - a belly dancer! Traditionally, the belly dancer wears a shamadan, or candelabra, balanced on her head, and dances ahead of the bride and groom while playing the sagat, or finger cymbals. Some theories surmise that the inclusion of the belly dancer was to provoke the transformation of the bride from a virgin girl or woman to a mature wife.

Let's take a look at some different examples of zeffahs, some with and some without dancers.






Want to learn more about this Egyptian tradition? You can click here to get expert dance ethnologist, Sahra C. Kent's, free zeffat al 'Arusha ebook.

Sunday, September 1, 2019

Cultural Sensitivity and She Said What?!


This post was inspired by a recent incident at a wedding I was performing at. I had been hired to do an approximately 20 minute set, during which the bride and groom had requested an audience participation section. Specifically, they'd requested I pull up a couple of the groomsmen up to dance with me for one song.

Fast forward, day of the show, I'm working my way through my performance, and upon arriving at the song I'd selected for the audience participation portion, I make my way over to a table where there were four groomsmen and their respective dates sitting. I grab one man and gently lead him to standing. I reach for another, when the woman sitting next to him clamps her hand down on his forearm and whispers something furtively in his ear. Upon this, the man gets a slightly awkward, indecisive look on his face. Not entirely sure what just happened, I smile and say come join us, beckoning him to stand. At this, the woman turns around to me with an angry stare and tension in her jaw and says, "I say no, and I'm the wife!"

Insert sound of record scratching. Sudden desire to slap my palm against my forehead.

Wait, what!?

I have so many thoughts go through my head in quick succession.

Lady, have you been watching the show so far? 

You realize this is a belly dance performance, right?

Do you think I'm up here performing some type of adult or "inappropriate" entertainment? 

What type of unfounded bias is this heated reaction coming from? 

As well, as maybe a few other more personal comments that are better left unsaid.

But I think perhaps the reaction that stood out the most for me was the level of cultural insensitivity and quick judgment encapsulated in that statement. Because when it came down to it, the one thing I really wanted to say was a brief oration on the history of belly dance, including it's significant cultural and historical roots. Roots that her comment denied, discredited, and disapproved of in one short demeaning reaction.

In that moment, I had to hold back from launching into a lecture in the middle of my performance. Instead I bit my tongue, smiled, and moved onto the next groomsman, and concluded a lovely show. But if I had said something, this is what I would have said:

Where does your intense, uninformed, and unfounded level of judgment come from?

Let me give you some background info that might make you feel differently.  

Belly dance, or raqs sharqi in Arabic, is a traditional dance of many Middle Eastern countries, especially common in Egypt and Turkey.  While raqs sharqi has been theatricalized and stylized for stage performance, it has roots in raqs beledi, literally meaning dance of the people. Raqs beledi is a dance characterized by grounded footwork and hip and chest isolations performed by men, women, and children in their homes and during celebratory events. Both raqs beledi and raqs sharqi are performed to music that is intricate and beautiful, based on a complex musical system of maqams. It encompasses unique rhythms that tie back to various cultural regions and people of Egypt, such as the sai'idi rhythm originating from along the Nile valley. It is a dance that has overlapping components of dance vocabulary with traditional folkloric dances, such as ghawazee, raqs asaya, and shamadan.

Ultimately, it has heritage that goes back years beyond American dance and performing arts. Don't be deceived to think that Hollywood is the only epicenter of dance stars. Belly dancers, such as Samia Gamal, Tahiya Carioca, and Nagwa Fouad were big movie stars in Arabic cinema. The dancer and choreographer, Mahmoud Reda achieved fame and acclaim on par with America's beloved Gene Kelly. And while, yes, the sparkly two-piece costume is not traditional prior to the twentieth-century, I would like to point out that it covers more of a dancer's body that your average ballet costume. But for those not familiar with a belly dancer, it somehow feels easy to look down upon, to consider low-class, while ballet is "classical" and "refined". Let me say, it's time to recalibrate that narrative.

In short, my take away is this: before you judge someone else's culture, before you dismiss something  you aren't familiar because it's foreign to you, take the time to be informed. Take the time to pause and consider how many layers of history, culture, and tradition you might be disparaging with your initial assumption. Cultural sensitivity, inclusivity, and respect should always be the first and last stop as we engage with each other.


Photo Credit: Samia Gamal, source unknown

Thursday, August 1, 2019

Check Out My New Video!

This post is going to be short and sweet. I recently did a new promo belly dance video, and I am loving the result so I wanted to share it with you. The videography and video editing was done by Kat Welsh of Tacoma Dance Studios. Kat and I got together on a beautiful sunny afternoon in Seattle and shot in the picturesque Kubota Gardens in south Seattle. The pink costume is by Anastasiya Romania and the purple costume is by Patrycja Marzec. Thus, without further adieu...


Thursday, November 1, 2018

Performance Pics and Video from Snoqualmie Railroad Days

Last August, back when the sun was still shining and the weather was warm (ahh, fond memories...) I did my annual performance out at the Snoqualmie Railroad Days festival. It's one of my favorite events to return to again and again. Here are some pictoral and video highlights from that sunny afternoon.















Thursday, May 31, 2018

Lunaria's Oh My Goldness! Cabaret

Back in April, the belly dance cabaret fusion company I dance with, Lunaria Dance Theatre, produced and performed our second annual full-length production. Lead by our director, Mellilah Jamal, this time the theme was, Oh My Goldness! Our show ecompassed cowgirls to Marily Monroe to Bob Fosse to disco, and quite a few other genres and themes in between. Here are some pictorial highlights. Photos by Chris Yetter and David Horowitz. Enjoy!