Showing posts with label class. Show all posts
Showing posts with label class. Show all posts

Monday, August 1, 2016

Adventures with Aziza



Last month I had the opportunity to attend Aziza's Dreamcamp in Montreal, Canada. The camp was taught by, of course, Aziza, in conjunction with the lovely Mercedes Nieto. In the one week duration of the camp, I felt everything from amazement and joy, to irritation and overwhelm, and back again. In case you've ever wondered what attending Dream Camp is like and whether or not it's the right choice for your dance journey, here's a summary of my experience and takeaways.

The Accommodation
Let's get one thing straight right off the bat: despite being called Dreamcamp, it's not camping. There's no tents or outdoor wilderness skills needed. There's no roughing it involved, unless you consider sharing a bedroom and/or a bathroom to be roughing it. The new location as of this year is at Le Couvent, which is about one hour from the Montreal airport. The rooms, dance studio, and dining area are all housed inside one building, meaning you don't even have to go outside unless you want to. All your bedding and linens are provided. The building is near a lake, which was perfect for peaceful morning walks, albeit high levels of mosquito activity. There was also a pool onsite as well, which made for great cool-down dips after classes.

Lake Raymond, the backdrop for Dreamcamp

The room sizes varied from single to quadruple occupancy, and thus the sleeping arrangements varied by the same degrees. I was originally assigned to a triple, but after the first night in which one of my roommate's cell phones pinged all night, capped off with a very early morning phone call (thus the irritation part of the camp), I inquired if I could be moved to a single room and was able to claim the last single room available. The bathrooms were shared, with a toilet, sink, and two showers at the end of each wing.

A shared dormitory room at Dreamcamp

The diet for the week was all vegetarian. At first I was a bit skeptical about this, as I usually eat predominately paleo, but the food was surprisingly good and the chef was able to accommodate my food allergy for the most part. I think my favorite meal of the week was a very tasty Indian-inspired dinner. Oh, and I better not forget to mention that there was wine each night with dinner.

Dreamcamp wine, served nightly

The Activities
A typical day at Dreamcamp went something like this: optional morning workout, breakfast, two and a half hours of dance instruction, lunch, three to four more hours of dance instruction, fun activity or break, dinner, and final fun activity or free time.

The first couple days of dance classes focused more on technique, exercises, and drills, and then quickly turned into learning choreography by mid-week. I enjoyed the technique classes the most, as this is where I find the most long-term benefit to my dance. In terms of takeaways for later use, it's these type of classes that always leave the biggest impression on me.

Aziza and Mercedes each taught a separate choreography of a little over four minutes each. Both choreographies were beautiful and unique. It was interesting to contrast the drastically different styles of the two teachers. Merecedes' choreography was very challenging (thus where the overwhelm came in), and I felt like I struggled to keep up. But at the same time, the exposure to movement sequencing that was outside of the normal belly dance box was refreshing. However, with choreography, I always feel that after it's done, it's something I won't ever revisit and thus not as helpful to me. So for me personally, I could have done with a bit less choreography.

Inside the dance studio at Dreamcamp

The fun activities really ran the gamut. One day we had belly dance Olympics, in which we were separated into teams and competed against each other for Dreamcamp glory in events like water bowl balancing and pantyhose potato racing. There was also a movie night and game night.

Waterbowl balancing, an event at the Dreamcamp Olympics

The week culminated in a hafla. It was really fun to see everyone get snazzy after a week of sweating it out in class, and it was very magical to see each performer shine in her own music choice and performance style.

Alessandra performing at the Dreamcamp halfa

And then the after party. What do dancers do after dancing for a week straight? They dance some more of course! The dancing encompassed quite a few more bottles of wine and wasn't even deterred by a power outage. I lasted until about 1:30am, but I hear a contingent made it until 3:00am and even went for a late night swim in the lake.

The Advisors

The Dreamcamp instructors, Mercedes Nieto and Aziza

From the moment I arrived and she embraced me in a big hug, Aziza made me feel comfortable and welcome. I think she has one of those personalities that just puts people at ease. She was friendly, down-to-earth, and didn't take herself to seriously. What does doesn't take herself too seriously mean? Well for example, one day for our morning workout, undeterred by funny looks from passing bikers, we did prancerise along the lake path.

But all fun and games aside, Aziza is unquestionably a talented and gifted dancer. Her strong technique and magnetic stage presence left me scrutinizing her movements and gobbling up her feedback. Her teaching manner was encouraging and made me feel as a student that it was okay to just put it out there, not be intimidated, and not worry about making "mistakes".

And I really only have one word for Mercedes: Wow. Just wow. I've never really seen or experienced anything like it before. Her level of musicality was off the charts and her style was completely and definitely all her own. I've not even sure how to describe. I think it's just something you will have to experience for yourself. If you ever have the chance to study with her, by all means, do it.

The Final Analysis
All in all, I really enjoyed my time at Dreamcamp. I felt challenged by the classes. I felt blown away by the instructors. And I felt inspired by my fellow campers

Thus I would say, if you have been considering going, I would say do it! As Aziza would say, seize your opportunity to be "undeniable"!

P.S. If you are considering attending, keep in mind that spots fill up fast. I signed up about a year and a half in advance. However, looking at the website today, I see that there are still spots available for summer of 2017. And next years guest instructors include the world-famous Sadie and Shahrzad!

The Dreamcamp instructors, staff, and students

Photo Credits: Eric Perreault


Tuesday, September 16, 2014

Tips for Selecting a Teacher


Whether you are brand new to belly dance, or are looking for a new instructor, it can be difficult to wade through countless websites and advertisements to try and find a qualified instructor. You want the most for your time and money, but aren't sure which teacher can give that to you.   You desire a strong technical foundation and an accurate understanding of belly dance knowledge to go with it, but don't know whose self-promotion hype to believe. 

I used to feel the same way, and thus why I'm sharing this post this month.  From the time I've spent as a student and also working as a teacher myself, I've gathered a few key elements I look for in an coach and mentor.  Here's a cheat sheet of attributes to hunt for in a potential teacher to help you in your search.

  1. Teaching Credentials: While I've certainly studied with great instructors who don't have any sort of teaching credentials, the majority of my favorite teachers did seek out some sort of accreditation.  The possession of teaching credentials is typically a good indicator of a qualified instructor.  It shows that she has invested time and money into her art form to solidify her technique and knowledge, as well as learn the best, most effective teaching methods.
  2. Safety: First and foremost before any teaching happens, your instructor should provide you with basic posture and alignment instruction so that you stay safe and don't injure yourself.
  3. Knowledge: A qualified instructor is well-rounded with a complete set of tools at her disposal. She needs to know much more than just how to teach a Maya or a hip shimmy.  She should be able to explain the history of the dance, relevant cultural elements and their impact on the art form; basics about related folkloric dances; the famous stars of the dance, both past and present; various styles of belly dance; costuming; stage presence and how to put together a set, musical interpretation, and Middle Eastern rhythms. 
  4. Experience: Your instructor should have experience performing. I don't think that anyone can really teach a skill set without having actively done that skill set first.  Further, a history of performing demonstrates that the instructor isn't someone who doesn't have any dance experience, or has dance experience in another genre, and who one day woke up and decided to start marketing and teaching belly dance. A good instructor has years of experience performing what she's about to teach you.
  5. Explanations: Just because someone can evoke magic on the stage, doesn't necessarily mean that she is an effective teacher.  A teacher needs to be able to break down the movements and explain them in an easy to understand manner.  Additionally, since we all learn differently and the way a move is explained can mean the difference between understanding and executing the skill and feeling lost, I've found that the best instructors can provide multiple explanations for any given belly dance movement.
  6. Critique: Your instructor should be able to find a middle ground between telling you everything you're doing is wonderful and perfect, and between making you feel intimidated and discouraged.  To improve as a dancer, your instructor needs to be able to give you constructive criticism, but also make you feel that learning with her is a comfortable and "safe" process.
  7. Encouragement: Your instructor should be friendly and encouraging to you not only in her classes, but also in your overall dance career. You should feel like you can rely on her as a mentor and that she has your best interests at heart.  Of course any instructor, myself included, wants students to continue learning with them.  However, a professional instructor will also be open to you learning from other dancers.  Each teacher has her own specialties and typically one teacher can't provide everything that a student needs to really succeed and be a well-rounded dancer.  A professional instructor will realize and accept this without discouraging students from following their own path through this art form.
  8. Chemistry: Just like a good date, a successful student-teacher relationship needs a dose of chemistry.  This element is probably one of the most important, yet ambiguous, ingredients. But the two of you need to click! To get the most out of your classes, you should like your instructor, you should look forward to going to class, and you should have fun while you are there!
Photo Credit: www.goddesslife.com